Category Archives: Art and design

ICAA New England’s gala

Posted on April 24, 2016 by David Brussat

This weekend, the New England chapter of the Institute of Classical Architecture & Art celebrated its ambitious new Bulfinch Awards program. For the first time we invited competition entries from across the nation for work performed in New England. This, … Continue reading →

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A modern sculptor’s lament

Posted on April 24, 2016 by David Brussat

The grassy triangular plot of land at the corner of Kennedy Plaza and Burnside Park in downtown Providence – officially Parcel 12 of Capital Center – is unofficially called Bad Sculpture Park. A hotel is going to be built there, … Continue reading →

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Fascism, modernism paired

Posted on April 21, 2016 by David Brussat

Mother’s milk flowing from her gentle soul, a good friend expressed at lunch yesterday her dismay at the fascist tendencies of modernist architect Philip Johnson. She is no fan of his buildings (there are two in Providence), but she was … Continue reading →

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The reactionary avant-garde

Posted on April 20, 2016 by David Brussat

The epitome of a contradiction in terms, the idea of a reactionary avant-garde is a most appropriate description of what the theorist Nikos Salingaros calls the “cult” of modern architecture. Charles Siegel uses the term in the title of his … Continue reading →

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Your brain on architecture

Posted on April 19, 2016 by David Brussat

Here’s another scientific study about architecture. Look through the methodology and your eyeballs may roll furiously at its conclusion that “contemplative” buildings cause contemplative activity in the brain. Showing pictures of such buildings (old and new) to a dozen architects … Continue reading →

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Shubow speaks this Saturday

Posted on April 18, 2016 by David Brussat

Reminder: Still possible to hear Justin Shubow’s lecture in Boston this Saturday. Justin Shubow, president of the National Civic Art Society and a leading proponent of classical architecture, is also a leading opponent of modern architecture. He and his organization, … Continue reading →

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Kley: Trials of the pedestrian

Posted on April 16, 2016 by David Brussat

This sketch, called “The Train,” by Heinrich Kley was probably etched in about 1910 to judge by the auto, by the fashionable attire of the alligator, or by the era in which Kley was publishing his more curious work. The … Continue reading →

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Beauty and the bore

Posted on April 14, 2016 by David Brussat

Several people have sent me “The Psychological Cost of Boring Buildings,” by Jacoba Urist in New York Magazine. The title hooked me, of course, but her essay hardly went down like an oyster. First, I am distrustful of “studies,” especially … Continue reading →

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Skandalkonzert vindicated?

Posted on April 13, 2016 by David Brussat

A post on the website Artlark, “Skandalkonzert: The Battle for Modernism,” describes a riot that had classical concertgoers in Vienna battling amongst themselves in the pits and with the musicians and the even the composers. Pieces by Schonberg, Weber and … Continue reading →

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I’ll second that emotion!

Posted on April 12, 2016 by David Brussat

The collection of parents who wait for their kids’ school bus every morning and afternoon at our corner on Hope Street testifies to the greatness of the Vartan Gregorian Elementary School in Fox Point. This afternoon the line “I’ll second … Continue reading →

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