Tag Archives: Roger Scruton

Scruton, Haussmann, Syria

The British philosopher and architectural theorist Roger Scruton, whose 1995 book The Classical Vernacular is one of my bibles, has recently written “Rebuilding a new Syria without the divisions” for The Times of London. Syria’s history as a French protectorate … Continue reading

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“Orchestrate a Renaissance”

Composing a comeback for classical music and classical architecture is the twin purpose, or so it seems, of the Future Symphony Institute, founded in Baltimore by Andrew Balio, the principal trumpet of that city’s symphony orchestra. Its latest project is … Continue reading

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Style vs. form balderdash

Justin Shubow, the provocative head of the National Civic Art Society, has posted a segment from a 1996 book review by the late Paul Malo of Roger Scruton’s The Classical Vernacular: Architecture in a Time of Nihilism, which I recently … Continue reading

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Return to the establishment

It appears that tradition has begun its long march back through the institutions, at least in Britain. Oliver Wainwright’s latest piece in the Guardian, reprinted in Architectural Record, is “The Tories’ New Design Guide Backs Tiny, Unlivable, Backward-Looking Homes.” It … Continue reading

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Disproportion by definition

Above is my promised second reclining nude by Ingres, “The Sleeping Odalisque,” to be delivered after responses to my post “Naked proportion.” My promise to post another reclining nude by Ingres was slowed down by an apparent insufficiency of response. … Continue reading

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Naked proportion

Here is Roger Scruton’s passage regarding the human body and its proportions, from Chapter 3 of The Classical Vernacular: Imagine a beautifully formed body – as depicted by Ingres, for example. Here we see a certain kind of perfection, in … Continue reading

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Scruton on proportion

As an advocate of classicism I’ve always been sort of absent without official leave from discussions of proportion. Perhaps that is because it involves mathematics, which I have tried to keep at arm’s length throughout my life. Thank God for … Continue reading

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Scruton’s lonely candlestick

Roger Scruton’s 1995 collection of essays, The Classical Vernacular: Architectural Principles in an Age of Nihilism, begins with an essay, “Reflections on a Candlestick,” in which he describes an objet d’art sitting in a Brutalist conference room: My eye came … Continue reading

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Column: Architecture critic, heal thyself!

Witold Rybczynski’s 18th book, “How Architecture Works: A Humanist’s Toolkit,” opens with a quarrel in its title. By any definition of humanism, architecture has been broken for at least seven decades. The book, published in October by Farrar, Straus and … Continue reading

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