
Four men walking through St. Peter’s Square, Rome, in 1961. (RIBA)
Who are those guys?
Good question. But first, I must point out that indecipherable notes on a recent lecture force me to leapfrog a topic I’d intended to address today and grab a quicky topic instead. I’ve chosen to simply link to a collection of thirteen photographs of Rome selected from the RIBA Collection (Royal Institute of British Architects). “Dome sweet dome: the glory of Rome – in pictures” appeared in the Urban Eye section of The (U.K.) Guardian.
There are buildings. There are people. There is Rome. Enjoy.
But before dipping into this trove, consider the four men in the first photograph, with which I’ve illustrated this post. I expected to learn from its caption that these young sophisticates in St. Peter’s Square were modernistos – modernist architects. They have just finished thumbing their nose at the Basilica, expecting, in the manner of their ilk, that it would be demolished and no longer exist to thumb its nose at their work. But the caption was no help, except to inform me that the photo was taken in 1961 at St. Peter’s Square by Monica Pidgeon. But I am allowed, still, I think, to imagine that they are modernist architects, and to think my nasty thoughts about them.
Whoever they are, they are lucky. They are in Rome. Like Venice, like Florence, like Paris, Rome has banned modern architecture from the city, relegating it to the suburbs. Therefore, beauty accompanies the people of those cities, rich or poor, wherever they may go, every minute of the day. Look at these pictures. Most show people living their lives amid surroundings of a sort that most Americans must do without, who as a result might not be aware of what they are missing, and may have lost the ability to appreciate it – which does not require a degree in art appreciation. Does this lower their quality of life? Yes, it does. Is there someone to blame for this. You bet.
Sorry. Don’t get me going. Just look at the pictures.
(Maybe someone knows who those four guys are, and can relieve me of the burden of assuming they are modernist architects. Tip o’ the hat, by the way, to Richard Jackson, who snagged this set of photos from CityLab.)
They might be young architects in Rome with Monica to see the Nervi structures for the 1960 Olympics.
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Thanks David. Yes… Hopefully we’ll always have Rome and Paris and… However, while there are two shots taken from it looking away, the Monumento Nazionale a Vittorio Emanuele demonstrates that some tradition architects can do as much damage as modernist (dare I say Speer…?) Best-Ron
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One looks like Richard Feynman, ha

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