Scary skylines of the future

Screen Shot 2018-04-10 at 12.28.20 PM.png

Ministries of George Orwell’s Oceania, from 1984. (WAI Architecture Think Tank)

The March edition of my blog for Traditional Building, “Modern Architecture and the Administrative State,” arose from some chilling passages quoted in an essay from the Claremont Review of Books called “How the Ruling Class Rules,” which was a review of Paul Moreno’s The Bureaucrat Kings: The Origins and Underpinnings of America’s Bureaucratic State. Theorists of government from the past were prescient about the future, invoking horrors that can easily be translated into modern architecture. Facebook, anyone? Here is a quote from my TB blog:

Tying together some passages Moreno has selected builds up to an eerie parallel between the direction of bureaucracy and the direction of architecture. Hegel promoted the “organized intelligence” of the “rational state.” Dewey called it the “social intelligence.” Kafka warned that “every revolution evaporates and leaves behind only the slime of a new bureaucracy.” Marx called bureaucracy the “circle from which one cannot escape.” Weber foresaw in rational control the “polar night of icy darkness” and the “iron cage,” culminating in “the shell of that future bondage” and “the disenchantment of the world.”

The shell of that future bondage sure sounds like the glass and steel exoskeleton of corporate modern architecture.

It seems, however, that today’s dystopian architects prefer a rectangular motif more than the pyramidal motif that caused Orwell’s hair to stand on end. Film directors have been good seeing bad things in the future, too, as my TB post also suggests.

Screen Shot 2018-04-10 at 12.29.09 PM.png

Headquarters of the National Security Agency at Fort Meade, outside D.C. (

About David Brussat

This blog was begun in 2009 as a feature of the Providence Journal, where I was on the editorial board and wrote a weekly column of architecture criticism for three decades. Architecture Here and There fights the style wars for classical architecture and against modern architecture, no holds barred. History Press asked me to write and in August 2017 published my first book, "Lost Providence." I am now writing my second book. My freelance writing on architecture and other topics addresses issues of design and culture locally and globally. I am a member of the board of the New England chapter of the Institute of Classical Architecture & Art, which bestowed an Arthur Ross Award on me in 2002. I work from Providence, R.I., where I live with my wife Victoria, my son Billy and our cat Gato. If you would like to employ my writing and editing to improve your work, please email me at my consultancy,, or call 401.351.0457. Testimonial: "Your work is so wonderful - you now enter my mind and write what I would have written." - Nikos Salingaros, mathematician at the University of Texas, architectural theorist and author of many books.
This entry was posted in Architecture and tagged , , , , , , , . Bookmark the permalink.

2 Responses to Scary skylines of the future

  1. LazyReader says:

    Want scary skylines, look at Washington DC in the film Minority Report, DC circa 2054


  2. LazyReader says:

    So the argument that boxes are bad. Architecture is mostly boxes, it’s texture that makes a building stand out, not what shape it is. The cast iron buildings that dot New York’s SoHo district are boxes, just happen to be laced with an extraordinary array of facets and details. That was “modular design” in the turn of the century. Will it make a comeback? Why not, stainless steel costs 40 cents per pound on the recycled market, so cast iron is no doubt cheaper, you can buy a thousand tons of it for 400 dollars, not including shipping


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.