Roman Forum, live, at night

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Rendering of Roman Forum at night after reconstruction someday. (Gilbert Gorski)

Above is how the Roman Forum might look at night today if it had never degenerated into ruins since the empire, or if it had been reconstructed as it was at the apogee of its ancient fame. The work, by Gilbert Gorski, was given to Léon Krier as consolation for the rejection, by Gorski’s publisher, of Krier’s introduction to The Roman Forum: A Reconstruction and Architectural Guide, by Gorski and James Packer. (Krier’s essay was posted in its entirety in “Krier: Ruins and discontents.”)

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The inspiration for Gorski’s rendering comes from the last line of Krier’s introduction: “To ensure maximum effect, I recommend the reader to imagine the figurants sporting contemporary clothing and steering modern vehicles.”

Clayton Fulkerson, a builder of classical models who lives in Warwick, Rhode Island, and who tends to object to the reconstruction of ruins unless they are substantially intact already, sent me the following description and photos of Cinecittá, a series of movie sets for films set in ancient Rome:

Cinecittá is a huge studio complex on the outskirts of Rome. It was conceived as part of Mussolini’s plan to revive the Italian economy. Films such as Ben Hur (the good one), Cleopatra and, more recently, Gangs of New York and the Rome series by HBO were shot there. Virtually all of Fellini’s and Zeffirelli’s films were also.
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The tour took us to only part of the vast Rome set. HBO spared no expense and had to abort the series because of its huge cost. No stone was used in the set’s construction. It’s all a fantastic fiberglass façade mounted on steel framing. You would swear it’s all the real deal, as the Italians are devilishly good at this kind of thing. The “stones” paving the streets are cast from concrete using only five molds. The pieces are arranged in such a way that you’d never know the economies involved. When production ceases, the sets become the property of the studio, which has the right to rent them to other production companies.
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About David Brussat

For a living, I edit the writing of some of the nation's leading architects, urbanists and design theorists. This blog was begun in 2009 as a feature of the Providence Journal, where I was on the editorial board and wrote a weekly column of architecture criticism for three decades. Architecture Here and There fights the style wars for classical architecture and against modern architecture, no holds barred. My freelance writing and editing on that topic and others addresses issues of design and culture locally and globally. I am a fellow of the Royal Society of the Arts, and a member of the board of the New England chapter of the Institute of Classical Architecture & Art, which bestowed an Arthur Ross Award on me in 2002. I work from Providence, R.I., where I live with my wife Victoria, my son Billy and our cat Gato. If you would like to invest your prose with even more style and clarity, please email me at my consultancy, dbrussat@gmail.com, or call 401.351.0457. Testimonial: "Your work is so wonderful - you now enter my mind and write what I would have written." - Nikos Salingaros, mathematician at the University of Texas, architectural theorist and author of many books.
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3 Responses to Roman Forum, live, at night

  1. Anonymous says:

    Despite having elements of it emolulated in a million way in millions of different places all over the world, it strikes me that there’s not one single urban space in the world even similar to the roman forum. So formal, so grand, but so varied, approachable and interesting. The urban fabric is ideal for emphasizing the architecture. It would be a dream to be able to walk in this place!

    Like

  2. Wentworth Barclay says:

    Beautiful idea – leave the autos out.

    Like

  3. Steve says:

    Wow! So impressive! The Romans..enough said.

    Like

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